chronovore: (mouthy)
CNET News: Music publishers: iTunes not paying fair share (via /.):
Songwriters, composers, and music publishers are making preparations to one day collect performance fees from Apple and other e-tailers for not just traditional music downloads but for downloads of films and TV shows as well. Those downloads contain music after all.

These groups even want compensation for iTunes' 30-second song samples.
Apple's iTunes provides an otherwise-unusable 30 second clip as a free advertisement to promote the sale of the song itself, and the songwriters want a cut of the advertisement?
chronovore: (mouthy)
Internet cut-off threat for illegal downloaders | Technology | guardian.co.uk:
But today the government will take the unusual step of proposing much stricter rules midway through the Digital Britain consultation process. Illegal filesharers will still get warning letters but if they continue to swap copyrighted material they could have their internet connection temporarily severed, although it may be possible to retain basic access to online public services.

A similar law in France under which filesharers could be cut off for up to a year was recently kicked out by the country's highest court as unconstitutional. In the UK, privacy groups are likely to challenge any similar legislation as contrary to human rights law.

The power to introduce technical measures, meanwhile, will rest with the secretary of state, not Ofcom and their introduction will not rely upon an arbitrary 70% reduction in piracy but be up to the minister's discretion as he tries to secure the future of the UK's creative industries.

"The previous proposals, whilst robust, would take an unacceptable amount of time to complete in a situation that calls for urgent action," according to a draft of the government's new plan.
chronovore: (mouthy)
The Pirate Bay acquired for $7.8 million // News:
Global Gaming Factory X has acquired file-sharing site The Pirate Bay for SEK 60 million (USD 7.8 million).

Along with the purchase of file-sharing tech firm Peerialism, GGF intends to turn the website legitimate, offering compensation for copyright owners whose content is featured on the site.

"We would like to introduce models which entail that content providers and copyright owners get paid for content that is downloaded via the site," said Hans Pandeya, CEO of GGF

"The Pirate Bay is a site that is among the top 100 most visited internet sites in the world. However, in order to live on, The Pirate Bay requires a new business model, which satisfies the requirements and needs of all parties, content providers, broadband operators, end users, and the judiciary.

"Content creators and providers need to control their content and get paid for it. File-sharers need faster downloads and better quality," he added.

Peerialism creates file-sharing technology, which GGF intends to incorporate into The Pirate Bay when the acquisition is completed in August.

"Peerialism has developed a new data distribution technology which now can be introduced on the best known file-sharing site, The Pirate Bay," offered Johan Ljungberg, CEO of Peerialism.

"Since the technology is compatible with the existing it will quickly allow for new values to be created for all key stakeholders and facilitate new business opportunities."

The four founders of The Pirate Bay - Peter Sunde, Fredrik Neij, Gottfrid Svartholm and Carl Lundström - were found guilty of violating intellectual property rights earlier this year, each receiving a one year jail sentence and fines totalling USD 3,620,000.

covers

Mar. 13th, 2009 01:49 pm
chronovore: (Default)
Why do authors, hollywood, studios, etc. get angry at fanfic writers, but music bands never seem to get angry at other, lesser known, perhaps less talented bands for making weird, freaky, sometimes bad cover versions of songs?
chronovore: (mouthy)
Copyright Czar's Fate in Bush's Hands; Veto Looms | Threat Level from Wired.com:
President Bush is opposing legislation creating a so-called copyright czar and might veto the measure.

The House on Sunday sent the president the "Enforcement of Intellectual Property Rights Act," (.pdf) a measure the Senate approved Friday creating a cabinet-level copyright czar charged with implementing a nationwide plan to combat piracy and "report directly to the president and Congress regarding domestic international intellectual property enforcement programs."

The White House successfully lobbied the Senate to remove language tasking the Department of Justice with suing copyright and trademark infringers on behalf of Hollywood
, (emphasis mine) remainder of article behind cut )
What, seriously, the congress approached the executive branch with a proposal that government money should be spent suing "pirates" instead of the copyright holders? This whole song-and-dance about how piracy is destroying Hollywood and the record companies doesn't stop them from making money, and the losses they report are about as realistic as Fantasy Football; it's all about "what IF all those college students actually BOUGHT the music on those hard drives...?! We'd be more richer!" And apparently they've managed to convince congress that the government needs to pursue their own constituents more fully on behalf of big media. Good christ.

jerks

Jun. 16th, 2008 06:49 pm
chronovore: (mouthy)
MPAA wants to stop DVRs from recording some movies:
MPAA has pressed its Petition for Expedited Special Relief on behalf of Paramount Pictures, Sony Pictures, Twentieth Century Fox, Universal City Studios Walt Disney Studios, and Warner Brothers. How did these media companies get an FCC proceeding so fast? Ars bets that hiring former FCC Commissioner Kathleen Q. Abernathy as their attorney helped. Abernathy supported former FCC Chair Michael Powell's drastic relaxation of the agency's media ownership rules in 2003, along with Kevin Martin, now head of the agency.

Movies go through a timeline of staged releases that lasts about three years. First they go to theaters; 60 days after that they start showing up in airplanes and hotels; in 120 days from their theatrical release they transfer to DVD and Internet download; about a month later to video on demand/pay-per-view; by the end of the year to premium subscription systems like HBO and Showtime; and eventually to basic cable and free TV.

MPAA says these studios want to release their movies to multichannel video programming distributors (MVPDs) "significantly earlier and prior to DVD release"—although the trade groups' filing won't say exactly how much sooner. But in exchange for the accelerated service, MPAA wants permission to obtain SOC blocking of recording capabilities. The group promises that once said movies have reached the home video sale/rental stage, the blocking will stop. (remainder of article) (via /.)
I know there's a bunch of you who think Cory Doctorow's a loudmouth, but he's got one thing right about DRM and copy protection: nobody wakes up and says to themselves, "Gee, I really want to do less with my media today." And that's all this is about; the MPAA wants to be able to restrict your ability to use the technology you bought in a way that you've already been using it. Horse puckey.

I'm going back to books. Well, videogames and books.
chronovore: (Default)
Steal This Idea - Matt Mason - The Pirate's Dilemma - Intellectual Property Piracy | Fast Company:
An entrepreneur looks for a gap in the market; pirates look for a gap outside the market. They go to the taboo area, and that's where they set up shop. The second thing they do is create a vehicle or platform, and that medium is also a message. A $5 DVD highlights that gap outside the market and says to the consumer, "This is a good idea. Why can't you get this legally?" The third and most important thing pirates do is harness the power of their audience. If the audience decides that what they're offering is of value to society and is more efficient than the legal, established way of doing it, fighting in the courts no longer works. You won't be able to stop it. You'll be as likely to win that as the war on drugs or prohibition.
chronovore: (mouthy)
This morning I woke up to a contact's link to Animation World Magazine, Mind Your Business: You Will Lose All The Rights to Your Own Art. My first thought was, That doesn't sound right. That just sounds alarmist and scary, though there certainly is a lot of MAFIAA behavior that would qualify as scary and dishonest. When I read through the article, it seemed to largely be about "orphaned works" (wikipedia) - this is particularly an area where I'd like to see copyright reform begin to take effect. After all, there are heaps of works out there where there is no clear ownership of the original work, so using it is questionable and generally legally inadvisable. However, because of the cooling effects of copyright law, these works may fade entirely away; they're not in print, they're not being maintained and there's no positive result from trying to save them, only perceived potential for litigation.
“As the Copyright Office said in its notice, the evidence suggests that a large number of works may fall into the category of orphan works. We consider it extremely important, not only for the artists who are creating new work today, but also for the ideas created in years past, that orphan works be made as widely available as possible.

"The greater availability of orphan works will provide a new and valuable source of inspiration for writers, film-makers, musicians and artists generally. (Save Orphan Works)
I am not sure where the author thinks that work which is readily attributable to him will legally become open fodder for Disney and Halliburton, but that's not what orphaned works are really about. So I went looking for examples to counter this guy's perspective. It turns out, there's been a minor firestorm over this in teh blogospherez today, and at least one person has written up what's fundamentally wrong with the positions expressed in the AWM article: read Six Misconceptions About Orphaned Works for some common sense and insight. [via boingboing]

YAY!

Aug. 20th, 2007 01:04 pm
chronovore: (OMFG)
Would-be Pandora listeners outside the USA, your suffering is at an end. This works:
OpenPandora: The complete guide for using OpenPandora outside US with Tor
chronovore: (mouthy)
CL&P Blog: Companies Claim Right to Interfere with eBay Auctions for Charging Too Little: (slashdot) - In the spirit of Slashdot, I've not even RTFA'd yet. I'm just bookmarking it for tomorrow when I'm conscious again. THEN I'll probably become irate. And I'll add my rant about how insanely lame it is that companies will outsource their labor to foreign countries ("LIKE JAPAN!" -snerk-) and reap the benefits of that, but have not only raised the drawbridge to their castle, they've convinced our leaders that it's all to protect culture.

And after I finish that rant, I'll probably even tag this article properly.
chronovore: (furious)
RUN-DMC vs. Jason Nevins - It's Like That (thanks, [livejournal.com profile] weezie13

Of note: Sony/BMG, like many copyright holders, is now officially promoting their artists on YouTube. This is good because stuff goes up there officially, and it's available for viewing without having to go to Sony/BMG's site and navigate through crap and use whatever crappy player they've got going - it allows use of YouTube/Google's search function to find what you want, instead of having to go back and forth on the publisher's site, maybe finding it, maybe missing it even if it's there.

On the other hand, they'll almost certainly be increasingly vigilant about keeping other users away from uploading their own unedited recordings of the artists they represent (not a major problem), as well as the co-opted use of those music recordings in fan videos, use as background in collage videos, and who knows? Maybe they'll even go after young girls lip-syncing Pixies songs - how wrong! But in all seriousness, with the entry of big copyright holders into a realm that has burgeoned under use by casual users, I hope they don't sic the lawyerhounds on the other users, because there's already enough chilling effect on people's ability to interact with the media they love, and share it in their own way.
chronovore: (OMFG)
Tech news blog - Gonzales proposes new crime: 'Attempted' copyright infringement | CNET News.com:
Gonzales proposes new crime: 'Attempted' copyright infringement
Posted by Declan McCullagh

Attorney General Alberto Gonzales is pressing the U.S. Congress to enact a sweeping intellectual-property bill that would increase criminal penalties for copyright infringement, including "attempts" to commit piracy.

"To meet the global challenges of IP crime, our criminal laws must be kept updated," Gonzales said during a speech before the U.S. Chamber of Commerce in Washington on Monday.

The Bush administration is throwing its support behind a proposal called the Intellectual Property Protection Act of 2007, which is likely to receive the enthusiastic support of the movie and music industries, and would represent the most dramatic rewrite of copyright law since a 2005 measure dealing with prerelease piracy. full article text )
chronovore: (mouthy)
So Google's Book Search (beta) is open for business. What I don't get is how to search easily for books that are out of copyright, and therefore up for free and legal mashuppery. When I look for Tarzan of the Apes, it returns several volumes that have been recently printed, are therefore in copyright, and therfore do not have the full text available for reading through their service. I had heard, perhaps mistakenly, that Google offered PDFs of the full text of books outside of copyright, but I can't find anything resembling that there, though the full text is available through Project Gutenberg, as the work has been in the public domain in the USA since 1993.

It is confusing to see  works that have entered the public domain listed as protected in Google's book search. Am I using it the wrong way or missing something obvious?

By the way, fuck Sonny Bono right in is dead, I Can't Ski To Save My Life, Not Comprehending the Basis for Copyright ass, and his widow and her cheap, argumentum ad misericordiam (Sonny would have wanted) "forever less one day" in her heinie as well.

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